quotations about writing
With pen and with pencil we're learning to say
Nothing, more cleverly every day.
WILLIAM ALLINGHAM
"Blackberries"
Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)
DASHA FAYVINOVA
"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016
Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.
JAMES JOYCE
letter to Fanny Guillermet, September 5, 1918
Writing is a part of healing, of digging into society.
KHALED KHALIFA
"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017
Writing is about growth, challenge and change. Without those things, there's no joy in it.
VERONICA ROTH
"Best-Selling Author Veronica Roth Tells What Writing Books Is Really Like", Entrepreneur, March 30, 2017
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
Good fiction creates its own reality.
NORA ROBERTS
The Stanislaski Brothers
He did not seem to know enough about the people in his novel. They did not seem to trust him.
JAMES BALDWIN
Another Country
I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.
JO WALTON
interview, RT Book Reviews
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
MARKUS ZUSAK
The Book Thief
I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.
STEPHEN LEACOCK
How to Write
I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.
DAVID GERROLD
A Matter For Men
I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.
ELIZABETH ZELVIN
interview, Kings River Life Magazine, May 2012
If there is a special Hell for writers it would be in the forced contemplation of their own works.
JOHN DOS PASSOS
New York Times, October 25, 1959
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.
MIGUEL DE CERVANTES
Don Quixote
Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?
VIRGINIA WOOLF
"Words Fail Me", BBC radio, April 29, 1937
When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.
JORGE LUIS BORGES
The Paris Review, winter-spring 1967
A lot of novelists start late--Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
JAMES M. CAIN
The Paris Review, spring-summer 1978
Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent--which attitude certainly has a great deal to support it. On the other hand, it is only because the world looks on his talent with such frightening indifference that the artist is compelled to make his talent important.
JAMES BALDWIN
Notes of a Native Son